|  n October of 1997, my girlfriend Marj Hoye and I located 
                          these trees while slowly driving the road that leads 
                          to Tumalo Falls, near Bend, Oregon. Their orange color 
                          spoke boldly, in contrast to the other aspens near by. 
                          When we reached the trees, I tried composing an image 
                          with no success. I knew there was something very special 
                          there; however, I was not tuned in enough to see it 
                          yet. 
 So, we decided to walk down the abandoned road and explore 
                          some other trees, anticipating the possibility of coming 
                          back. I saw some nice trees down the hill and even photographed 
                          some aspen leaves lying beneath some of them.
 
 After an hour Marj succumbed to the cold and returned 
                          to the truck. But I was just getting warmed up, and 
                          had experienced a beautiful shift in my perception. 
                          I could clearly feel it was time to return to my original 
                          location. In sharp contrast to my first attempt, as 
                          I approached the orange trees I instantly saw the composition 
                          of ‘Fall Talk.’ In an effortless series 
                          of moves, I set up my camera and began photographing.
 
 The sun had changed to a position directly behind the 
                          trees, making the leaves glow luminous with light. The 
                          conditions were perfect, and this time I was totally 
                          tuned in to my environment. I clearly saw the subtle 
                          nuances of shape, form, texture and color; and understood 
                          why I was unable to see the image an hour earlier. I 
                          exposed five sheets of film as a gentle mist fell. Soon, 
                          my camera became too wet to continue. Feeling content 
                          and somewhat damp, I returned home and bathed in the 
                          profound depth of my experience.
 
 
 
 
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