|  ne of the most dramatic landscapes in Oregon is located 
                          just 90 miles from my home in Bend, Oregon. It is the 
                          Painted Hills Unit of the John Day Fossil Beds National 
                          Monument, near Mitchell. In sharp contrast to what you 
                          see in ‘Landscapes of the Heart,’ Saber 
                          Toothed Tigers and ancient ancestors of rhinoceros once 
                          roamed tropical forests here. 
 As a photogenic location, few can match the Painted 
                          Hills. In May of 1989, my friend Ric Ergenbright and 
                          I wanted to time a photo trip to coincide with the clearing 
                          of spring storm clouds over the hills. We watched the 
                          weather carefully and when we saw what appeared to be 
                          the appropriate conditions, we drove east from Bend. 
                          We got a late start and upon arriving, started moving 
                          up the ridge and photographing immediately. The wind 
                          was blowing hard and we were relegated to using our 
                          medium format, rather than large format cameras. If 
                          much wind is blowing, the leather bellows on large format 
                          cameras act as a sail and make it nearly impossible 
                          to produce sharp images.
 
 We got the clouds we were looking for and as they swirled 
                          overhead, a constantly changing combination of shadows 
                          and sunlight spread across the hills. The potential 
                          for compositions was endless. Just as I would complete 
                          one image, another would appear close by. After 45 minutes 
                          of non-stop action, the direct sun dropped off the hills, 
                          so we moved down the ridge to prepare for sunset. We 
                          photographed the brightly colored clouds to the west. 
                          I completed my sunset photographs and happened to look 
                          back behind me toward the east. I gasped at the beauty 
                          of the scene. I stood speechless for a moment as I viewed 
                          the incredible clouds that appear in ‘Landscapes 
                          of the Heart.’
 
 Then, I quickly loaded another roll of film in my Pentax 
                          6x7 and sprinted back up the ridge scanning for a composition 
                          that would bring all these stunning elements together. 
                          There wasn’t time to think or speak, only time 
                          to react. I found and photographed the composition of 
                          ‘Landscapes of the Heart’ and then tried 
                          one more composition before the light dropped.
 
 As we slowly moved back down the ridge, we both felt 
                          humbled and blessed by the extraordinary sequence of 
                          events we had just been a part of.
 
  
 
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